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Olson: Don’t give up on a better tomorrow

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People complain that we’re more polarized than ever before. They’re wrong.

People have been polarized since our country was founded. Eleven states seceded in 1860-61. How’s that for polarized?

We fought a terrible war to put our country back together. We moved forward. Life got better.

My children are grade-school-aged. Their school includes people of many races who share a community. They can be vaccinated against polio, chicken pox, the flu and human papilloma virus. They live without fear of a Soviet nuclear attack.

They can have video teleconferences with their cousins in Nebraska and Singapore; the wealth of the world’s information is available to them in their home with a few keystrokes.

The next generation of children in DeKalb County will be better educated, healthier and accustomed to a life we couldn’t have imagined 25 years ago. There are bright, talented people working every day to make that happen.

The problems facing us at every level, from our hometowns to the highest reaches of the federal government, are entirely within our power to solve.

Pessimism only will stand in our way. After all, if you don’t believe life can continue to get better, why try?

Believe we can make tomorrow better. Raise your hand with me.

• • •

Voyage to India: In 2006, Bart Woodstrup was living in upstate New York when he was invited to write a composition for a planetarium in Troy, N.Y.

Woodstrup was studying at the time with an electronic musician named Curtis Bahn, who was learning the sitar, the traditional Indian instrument made famous in the west by the late Ravi Shankar. The music and images he created for the planetarium would eventually take him to the Indian presidential palace.

“In the planetarium, normally when you sit in the planetarium you’re looking up at the stars in the dome,” Woodstrup said. “I did a piece where you would look up into the water, so you were almost under the water, so it was ‘Under Saraswati River.’ ”

Saraswati is the Hindu goddess of learning, science and the arts, and is considered a river goddess.

The piece is like a sitar-driven jazz composition. The sitar has a mystical kind of quality. As the music plays, visuals meant to invoke the water of a river are projected on a screen, and images of Saraswati and other shapes float by.


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